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- š§š¼āš Blueprint 015
š§š¼āš Blueprint 015
The creator business decision tree, restaurant clothing lines, exploring alone, the psychology of marketing, niche allergies, New York City
Welcome back to Blueprint, a series where I share an unfiltered, behind-the-scenes look into my journey as a full-time creator & entrepreneur.
Itās been 15 weeks since I went on my own full-time.
Todayās topics:
š§® | Week 15 metrics & earnings
āļø | The creator business decision tree
š” | Learnings from exploring alone
š§š»āš³ | Restaurant clothing lines
š§ | The psychology of marketing
š¤§ | Iām allergic to niching down
A reminder that this internet game is not zero-sum. Everyone reading this can win at an unlimited scale. Iām writing this for the internet astronauts building their own digital worlds. If thatās youā¦letās ride āš¼š©š»āš
WEEKLY RECAP
Weekly Highlights
I received a ton of great feedback on the format from last week (4-5 smaller sections vs 2-3 bigger ones), so weāll keep it going. If something really resonates with you, please reply and let me know!
This week was full of ups and downs.
Posted 4 videos (2 of them were my wknds vlog style). Because of that, views and audience growth were much lower than normal.
Despite the vlog style netting consistently worse performance, Iām sticking with it. My intuition is that these are working as intended and helping build significant depth with my audience. Comments are up and people in my life have been referencing these videos above all others.
The Highs
On Tuesday this week, I traveled to NYC.
I got to record a podcast with Calum Johnson (out in 3-4 weeks) and chop it up with Hunter Weiss, Zach Pogrob, and Dylan Jardon in their studio. I loved it.
These are all entrepreneur/creator friends that I met on the internet.
Iāve always had a bit of a lone wolf mentality. Felt like I could brute force things alone and have full creative control.
I was wrong. Being a lone wolf is suboptimal.
The amount of inspiration and fresh thinking I pulled from spending 6 hours with these four outweighed 30 days of ideating alone.
Also, a in-person connection hits different. Iāll now do anything I can to help all four of them and theyād probably do the same.
Do whatever you can to connect with people in your space. The more in-person, the better.
The Lows
Before going to New York, I was in a bit of a raw/emotional place.
This is pretty rare for me, so I thought itād be helpful if I made a video sharing exactly how I felt in the moment.
The video was about the emotional struggle that can come with being a creatorā¦when itās hard to separate you self-worth from the performance of your content.
I ended the video with āthis shit can be tough emotionallyā and wanted to further explain what I meant.
Pushing record on a camera and talking into it is not ādifficultā in the normal sense.
Itās a privilege honestly. Life could be 1000x worse.
But what makes it uniquely challenging is that youāre consistently battling the harshest critic in the worldā¦your own mind.
Youāre constantly playing internal gymnastics to gauge whether youāre doing enough of the right thingsā¦or any of the right things at all.
When you act on authentic intuition and the market reacts differently from your expectations, it can put you in an emotional pretzel.
When this happens daily, it can be very tough to weather.
Iām fairly desensitized to these types of things, but they do impact me and flare up in significant ways from time to time.
The good news is, the more you make, the less volatile your reactions tend to be in either direction.
If youāre feeling bummed because of a bad spurt of performance, hopefully this will help you get through it and keep going.
PLANTING TREES SINCE 1999
The Creator Business Decision Tree
Most aspiring creators spend months procrastinating the work so they can think about the āstrategy.ā
What should my plan be?
Iām going to save you some time and just give you the playbook. Think of this like a choose your own adventure game with a few different options.
Iāll walkthrough all of paths, the trade-offs for each, and how Iām thinking about playing the game for myself.
Ideal Path
The ideal path is pretty straightforward:
Start by making content
Use that content to grow an audience
Find a cash flow source to pay to automate some/all of the content creation process
Use that newly unlocked time to create and sell an owned product/service
If you want to win big as a creator (and make a ton of money), this is the formula to do it.
Step 1: Making the content yourself
Start by making content yourself.
Iād pick whichever medium comes most naturally to you and gives you the best chance of not quitting. They all have pros and cons, which I detail in depth on this pod with my friend Bilal (20:57)
No matter which channel you pick, this is the hardest step because youāll be posting into the void for a while.
I personally think itās important for you to do everything yourself for a period at the beginning (e.g., writing, recording, editing, posting, etc.).
This gets you closest to the format, lets you intimately understand how things work, and most importantly, helps you cultivate your taste for what good vs great looks like.
Some people try to play the content game with automation from day 1 (e.g., they creative direct and have others edit).
I find this approach results in stale, unoriginal content.
Would you buy a piece of art from an artist that told others where to put the paint?
Ehh, probably not. So step 1, start yourself. Expect this to take a year.
I chose to start with short-form video and quickly added on writing this newsletter.
Short-form video gave me the quickest path to feedback and the biggest algorithmic tailwinds. The newsletter gave me a longer-form medium to invent my own format. It also allowed me to have a mix of rented (short-form) vs owned (newsletter) audiences. Iām going to be adding a video podcast next.
Step 2: Build an audience
You will inevitably begin building an audience on whichever platform best supports the medium you choose.
Donāt worry about which platforms these are. Instead, make sure to pick the content medium youāre most likely to stick with for the long-term.
I canāt stress this enoughā¦all you have to do is not quit.
For me, I ended up cross-posting my videos on Tiktok, Instagram and YouTube. Iāve been fortunate to have grown across all three with the exact same videos.
For the newsletter, I use beehiiv as my publishing platform of choice.
Step 3: Automating your content creation process
This is where things get fun, but to reiterate, you really shouldnāt spend any time thinking about this until you have built a sizable audience.
Whatās sizable? Letās roughly say 50K followers on a single platform.
After making content yourself for a while, youāll realize itās too much work to continue owning the whole process forever.
Also, there are parts in the process that you are naturally good at/like doing vs other parts that you donāt.
For example, with making videos, I really love finding video ideas and breaking them down into consumable storylines (e.g., script). Iām neutral on the actual recording process and I really donāt enjoy the editing.
No matter how good you are at any or all phases of the creation process, you will not be able to create leverage on your time unless you eventually automate the things you donāt like doing.
Now that youāve come to the realization that you need to automate, youāll quickly also realize you need to hire someone (in my case, video editors).
Hiring costs money, so youāre going to need a cash flow source.
There are 6 paths you can go down, each with pros and cons:
Cash Savings
Pros: No additional work is required because you already have the money
Cons: This will run out and doesnāt scale
Services Agency (Unrelated) - e.g., SEO agency for a video creator
Pros: Agencies as easy to get profitable quickly
Cons: If you donāt have an operator running the agency, it will be a huge distraction and time suck away from making content. Also, unrelated agencies donāt give you any relevant learning for your content
Services Agency (Related) - e.g., Video editing agency for a video creator
Pros: Agencies as easy to get profitable quickly. Also, you are building owned automation capacity in your space
Cons: If you donāt have an operator running the agency, it will be a huge distraction and time suck away from making content
Digital Products - e.g., Courses, PDFs, etc.
Pros: Build once, sell twice. Super high margin
Cons: Revenue will be inconsistent and tough to rely on. Also hard to sell substantial digital products without having authority in a space
Content CPMs - e.g., YouTube Adsense, Tiktok Creator Fund
Pros: Fully aligned with existing content work. Youāre already posting, now money comes in
Cons: Inconsistent and hard to rely on and sole revenue source. Depends on content performance
Brand Deals/Ads/Affiliates - e.g., Making content for brands, including paid ads in content for brands, buyers trying products with your link
Pros: Fully aligned with existing content work. You get paid to compound your own channels
Cons: Inconsistent and hard to rely on. Long sales cycle to secure. Rework/edits often required. Managing client expectations is stressful
When you get to this point, I recommend picking a single path and doing everything you can for 6 months to try and make it work.
For me, I really didnāt want to run an agency without partnering with another operator. Itās a full-time job and would take away from the content production process.
I chose a combination of Brand Deals and Content CPMs.
My logic was that I would make all of the content myself until my audience was big enough to start getting paid for brand deals.
Once brand deals start coming in, I would take them only to be able to pay for the content production automation.
After a full year in this game, Iāve just gotten to the point where Iām going to begin automating everywhere.
Step 4: Sell an owned product/service to your audience
The big money comes when you own a product/service and sell it to your audience with no/low CAC.
Think things like Feastables, Prime, Divvy, Chamberlain Coffee, etc.
Itās really not worth thinking about this until you have a large enough audience to fund it or have automated enough to free up your time to work on it.
SOLO EXPLORERS
Lessons learned from exploring alone
As I mentioned above, I was in NYC this week.
I wanted to try something different, so on Thursday I cleared my schedule and walked around the city alone.
No plans. No headphones. No music/podcast. Just me & my camera, going wherever seemed interesting. I made this video of my journey.
Sad to admit, but this is the first time Iāve ever ātraveled aloneā with no plansā¦I loved it.
A few learnings I took away:
Without music/podcast in, my awareness was on a 10. I had never seen, heard, or smelled the city like that before. I noticed everything
Because my awareness was heightened, my conscious mind was just busy enough to free up my subconscious to think freely. I came up with so many good ideas while I was walking around. Silent walking alone is a hack for idea generation
I realized that my favorite time to explore a city is while itās still āsleeping in.ā This is between 8-11am where the light is soft, stores are empty, and the streets are quiet. Iāve now walked around both Tokyo (Ginza) and NYC at this time and loved them both. Itās wild coming back to the same streets a few hours apart and noticing how chaotic things get
When you donāt have a plan, your day becomes full of mini-adventures that are spur the moment. This led to much better storytelling in my NYC vlog. The broader lesson might be that plans are helpful to get you to an interesting place, but once youāre there, you should let your intuition take over and wander
ANOTHER EMAIL?!
Iām thinking about writing another newsletter. Just links with 1-3 sentences for each, no fluff, sent 2-3 times per week.
Why? In search of the best video topics, I probably see 1,000 stories per week. 25 are worth your time and I only end up having time to make 4-5 videos.
I think it be helpful for creators, entrepreneurs & builders if I shared the other 20.
If this sounds useful to you, you can subscribe here. Will start sending in a few weeks.
Btw, wknds is a broader play coming soon. Launching a pod with Roberto Nickson next week. Excited to reveal it!
RESTAURANT DRIP
Sugarfish
Cult restaurants should have clothing lines
As I walked around NYC (West Village, Soho, Tribeca, Flatiron), I saw so many restaurants that have cult followings.
I thought back to a podcast that Shaan Puri from MFM did with Samir Chaudry (Colin & Samir).
During the episode, Samir was talking about how he and Colin approach merch for their business. Instead of going for low quality, mass produced pieces (like most creators), they treat merch as a breakeven or loss leader.
Their goal is to create limited run collectibles that true fans can buy to rep the brand. These collectibles are always the highest quality and rarely make money for the duo.
And it got me thinkingā¦the same logic should apply for cult restaurants.
Think of places like Sugarfish, Erewhon, ABC Kitchen. Or any Michelin spot. Any restaurant that is well-known should have a limited run, super high quality clothing line (hats, hoodies, T-shirts).
The goal isnāt to add supplementary income, rather to turn fanatics into marketing machines.
In some cases, the branded clothing will become a profitable spin-off in itself (e.g., Kirkland clothing), but in most cases, it will add more surface area for awareness outside of the traditional channels (delivery apps, physical store, google/yelp, etc.)
This is obviously not a core competency of a restauranteur. The business opportunity is to create a faceless clothing company that specifically serves the niche of high quality apparel for restaurants.
The data (which customer bought clothing) would be extremely valuable for restaurants to use to retarget.
1 STEP REMOVED
The psychology of marketing
My friend Jay Clouse is a fellow creator that is super active in sharing his progress as a creator on Twitter.
Recently, he had a megaviral video on YouTube. He had ~15-20K subscribers at the time and the video did 1.2M views.
It was his interview with Jenny Hoyas, an 18 year old creator that has generated 600M+ views on YouTube Shorts.
This was Jayās most viral video and drove ~20-30K new subscribers over a few weeks. Crazy.
So I spent some time thinking about the psychology behind why his packaging worked so well.
The thumbnail text was āI can make anything viral.ā
Hereās my take on why this one went crazyā¦
In the early days of the internet, marketing was fairly straightforward. If you dangled the thing someone actually wanted in front of them, they would bite.
So if you said, āYou can earn $1M/year with these simple stepsāā¦a lot of people would buy.
But I think weāve moved into an era where the internet has been around for so long that traditional buyers (or content viewers in this case) see these ādirect claimsā as scams.
They have subconscious defense mechanisms that cause them to believe these offers are too good to be true because they are pattern matching to the dozens of internet schemes theyāve seen before.
Instead, a better way to market is to target one step away from the intended result.
It sounds counterintuitive, but stay with me here.
As a reminder, the thumbnail text for Jayās video is āI can make anything viral.ā
Why did that work?
If you think about it, no one really cares about going viral. What they care about is making a bunch of money or growing their audience (so they can make money in the future).
Going viral is a step that usually leads to those things.
The act of āgoing viralā is one step removed from what people really want.
So a lot of people see this title and think, āhmmmā¦Iām smart. If I can go viral, it will unlock what I really want, which is influence/moneyā, so lemme click and see what this is all about.
I bet if his title was āI made $100K from YouTube shortsā it wouldnāt have done as well.
Because most viewersā subconscious inhibitions would be up, thinking whatever Jenny has to say was either not going to be helpful or too good to be true.
Online marketing is like everything other game.
People get dopamine hits when they figure out how to beat the level for themselves because they feel like they have an inside edge.
If you give someone the exact path for beating the level, the game isnāt fun anymore.
NICHE TO MEET YOU
I think Iām allergic to niching down
Most of the guru content advice online is to find a niche, hammer that niche until you become an authority in it, sell courses to that niche, and then ride off into the sunset.
I canāt bring myself to niche down.
I have several interests that Iām authentically captivated by.
My initial content strategy was to just make videos about whatever grabbed my interest that day, mostly constrained within tech, brands, wellness, or entrepreneurship.
My brain is telling me to niche down, but my gut is telling me to continuing being an n=1.
To steel man this, the only legitimate reason I can see for niching down is that it makes it easier for others to tell their friends about you.
āHe makes cool videos about the NFLā is a lot easier for someone to come up with than āHe talks about such interesting stuffā¦anything from AI to Taylor Swift.ā
Still resisting niching downā¦for now.
VIDEOS FROM THIS WEEK
Here are links to this weekās videos if you want to check them out:
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